If, you feel comfortable with your brushwork, but don't seem to be able to make the work convincing there is probably some information missing. Drag out a blank canvas, and train your brush. If, for example, you can see the information you need, but you can't get your brush to do what you need it to - this is the area where you need some help mastering the skills. When one of these areas is out of balance, our paintings don't work. This involves discovering all of the information that you need to create a convincing piece of artwork, for example: √ How does the light hit a tree? √ What gives that cloud depth in the sky? √ What makes water look like water? √ How are things affected by light? √ What is the negative space doing? and so much more…. The second most important thing is your perception or observation skills. √ Dexterity with a brush √ Range of brush applications √ Understanding colour theory √ Understanding perspective √ Understanding composition and so many more…. Fundamentally, as painters who work with realism as a base, there are two major skill sets: Firstly, your physical skills, including: √ Mixing colour - I use Artists quality acrylic paints by Chroma Australia, Atelier Interactive and Atelier Free Flow. ![]() With forums you have the advantage of being able to ask your specific question and very often people will come back with (a variety of) answers. Searching specifically for the solution to your problem can very often yield some great painting tutorials, and forums can be useful in this regard. Just be careful what you search for (I accidentally discovered that whale tails are not necessarily exclusively about large sea mammals). You can find almost anything out here (including what Aunty Nancy did at her last work party). Mine are great- just ask me, I'll tell you! This leads us to another great search option for painting tutorials - the Internet. Or find a sample or trailer - Youtube is a great resource for this. With video and DVDs there is no real way to tell what you are getting, until you've paid your money. There are many sources of painting tutorials out there these days. Purchasing a tutorial is a great idea! Choose your subject and/or problem area, and hopefully the tutor will help you solve your problems. There are many magazines dedicated to solving problems, but you may have to wait until your problem arises before you get to the gold. A magazine subscription is not a bad idea. Often, though, it can be money well spent. Some are also very stingy with their information. mind bendingly boring, or indescribably pretentious (wow, Mark, beat around the bush why don't you). Some teachers out there are, how shall I say this. ![]() Having some idea of the tutor's approach to painting tutorials (if you can) is worth doing. This is free and may be wonderful, or it may be full of tragic dog-eared articles from the 1920's which are not relevant to your arts practice today. For starters there is your local library.
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